Espresso-Refill: 09

Bio

Mr. Vegh's contributes to the LGBT Weekly:

http://lgbtweekly.com/2012/08/30/review-the-old-globes-summer-shakespeare-festival-production-of-richard-iii/

http://lgbtweekly.com/2012/08/10/christopher-sieber-spreads-his-wings-in-la-cage-aux-folles/

http://lgbtweekly.com/2012/07/26/dames-at-sea-hits-the-deck-at-north-coast-rep/

And TheaterMania.com:

http://www.theatermania.com/san-diego/news/07-2009/first-lady_20093.html

http://www.theatermania.com/san-diego/news/06-2009/patrick-page-knows-cyrano_19511.html

Theatre: King Lear (San Francisco Shakespeare Festival), The Merchant of Venice with Morris Carnovsky (Halle Theatre), King John (Huntington Theatre), Born Yesterday (Huntington Theatre), No, No, Nanette with Ruby Keeler (Music Carnival), 1776 (Gateway Playhouse), Shanghai Heart (Deja Vu Coffeehouse), Stage Blood (Diversionary Theatre). NYC; How Beautiful Without Shoes (Lincoln Center Library Theatre),The Rimers of Eldritch (Theatre of the Changing Space). Directing: premier production, Murder at Cafe Noir (Mystery Cafe), Founding Artistic-Producing Director (Diversionary Theatre), The Deadly Game, (LJ Stage Co.); Mr. Vegh's play, Cafe Depresso, played a sold-out run at San Francisco's EXIT Theatre and he wrote book for and directed Friday Night Refugees (Ruse/Marque). Television and film include The Defection of Simas Kuderka with Alan Arkin, PBS's Fairmount Theatre of the Deaf's The Miser, Bachelor of Fine Arts, Acting, Boston University, School of Fine Arts. (Yes, Thom is the guy in the Valley View Casino commercial).

More at: http://thomvegh.blogspot.com/

A Brief History

by Kym Sawtelle
The central members of Not Man Apart - Physical Theatre Ensemble: group began as a training program ten years ago, Performing Arts Conservatory Carmel (PACC) was erected in the summer of 1999 by John Farmanesh-Bocca as an occupational/vocational performance program for aspiring teen theatre artists between the ages of 15 - 19 years of age. The curriculum was based on the physical theatre works of Jerzy Grotowski, Steve Wangh, Sanford Meisner, Wendell Beavers, Tadashi Suzuki, Joseph Chaikin, and the works of other Master Teachers of the Experimental Theatre Wing at New York University. Over time specific physical theatre approaches developed by PACC became a vocabulary unique to the company. Many of these techniques are still employed by the former Company Members and John in his work at both NYU and The Juilliard School. After ten-years most of the members of PACC are degree holding professionals many of who comprise the members of the Not Man Apart Ensemble.

Photo: Michelle Magdalena

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10/2/09

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